Hafezieh, the tomb of the great 14th-century Persian poet, the undisputed master of lyrics poetry (Ghazal, a poetic style that deals more with themes of love). The universal poet, the source of inspiration for great philosophers and writers like Goethe and André Gide.
His poetry deals as much with the worldly subjects (material world) and social theme as with the philosophical and mystical themes beyond our human perception. He talks about wine, beauty, and beautiful faces and appreciates the charm of his hometown Shiraz.
He has only one collection of poetry (Divan) which represents his literary style while there is another poet like Sadi (master of speech) mastering several styles, writes more voluminous works in prose as well as in poetry, but after centuries, it is the poetry of Hafez which has welcomed as interlocutor of advantage among Iranians and admirers of Persian poetry.
Perhaps more than literary and aesthetic reasoning, the enigma of Hafez’s poetry is one reason. Hafez’s poem is surreal and reveals several layers of perception that everyone based on their abilities perceives and translates.
This multifaceted quality has created a tradition called Tafaol (bibliomancy).
By opening Divan of Hafez at random, the verses that come, speak of the wish and foresees the fate of the person.
The ideal man for Hafez (Rend) is a person who does not care about this material and deceptive world that reveals the hypocrisy of the religious and deflects from the populism of authorities which has cost him the disgrace of governors.
The tomb is set in a pretty garden under a dome, it is the most comforting place for young lovers, frustrated by the infidelity of the beloved, seeking a cozy corner to spend some time with Hafez relieving verses.
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